Red Meat
I was seeing a
widow who lived above the butcher shop back then. Taken with the way she curled
her hair over one ear, how it slowly dropped back down again. She told me that
her father had been a carnival barker. Of his fiery pitches. How they never
stayed in one place for
very long. That he was a quiet man, bookended by bottles of booze; a thick
volume she couldn't crack open.
Only once
mentioning her husband. Told me of the wild phase she went through as a teen. The
plaster cast she made of a famous rock star's "Thing." In a drawer
now, under her bras.
Afterward she'd
sing to me in a foreign language. Hungarian, I think it was. Tunes that were
haunting and soothing at the same time. I'd bring home pounds and pounds of
meat later from the butcher downstairs. Thick red steaks and fat-veiny pork
chops. Which my wife just stuffed in the freezer most times, without saying
much.
Cold Light
He was a sewer
worker. Was old enough to remember Ed Norton from The Honeymooners being one. All the ribbing he took because of it. So
he said he worked for the Water Department. Was beginning to date again. Went
to a restaurant where the table candle was battery operated, nearly
real-looking.
She told him she
was a hand model when she was younger, and he noticed how balletic she made
them, even with the simplest acts. That now she ran a vacuum cleaner repair
shop, and if he said he bet it sucked, she'd crown him. They laughed and he saw she had something leafy between her teeth,
but didn't know her well enough to mention it.
When there was a
snag in the conversation, and those hands danced around the table touching
things, lingering, he decided he didn't like the fake candle at all. Not
because it wasn't interesting, but that he missed getting close sometimes and
feeling the warmth, even the burn of the real thing. The way it moved with the
slightest winds; the swing of an arm toward the salt. And that quick-vanishing
flick of smoke when you blew it out. He liked that too.
CP
Robert Scotellaro is the author of seven
literary chapbooks. A collection of his flash fiction, Measuring the Distance,
was published in 2012. His most recent is a book of micro fiction, Close
As We Get Sometimes. His story, "Fun House" is included in W.W.
Norton's anthology Flash Fiction International. He has been nominated for a
Pushcart Prize and currently lives in San Francisco. Learn more at www.rsflashfiction.com
1 comment:
"Cold Light" is a perfect piece.
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